My watercolours explore sensitivity as a particular way of inhabiting the world. The creatures that appear in my works are not illustrations of human emotions, but independent beings with their own forms of perception, vulnerability, attention, and connection.
I am interested in the moments when a living being responds to something that cannot always be explained or named: beauty, loss, tenderness, solitude, the presence of another. Small in scale but emotionally expansive, these figures inhabit a world in which the boundaries between human, animal, and natural forms remain fluid.
Watercolour allows me to work with this sense of instability and openness. Its transparency, accidental marks, and shifting edges preserve something unresolved — a feeling that is sensed before it is fully understood.
Through these works, I explore a form of attention that moves beyond the human. The creatures, plants, and other organic forms become protagonists of their own small worlds, carrying states of feeling without reducing them to a single narrative.
Sensitivity, in this context, is not fragility. It is a way of being present: receptive to the world, to another living being, and to what happens between them.
